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Submissions from 2018 2018

 

Words that Tear the Flesh: Essays on Sarcasm in Medieval and Early Modern Literature, Alan Baragona and Elizabeth L. Rambo

 

Chronometric Law: Resisting the Modern in Middleton, Rowley and Massinger’s The Old Law, Eric Dunnum

 

Playhouse Riots and the Fear of Closure in Shakespeare’s London, Eric Dunnum

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The Ambiguity of Consent: Teaching Rape Culture alongside Marlowe's Hero and Leander and the Renaissance Sonnet Tradition, Eric Dunnum

 

The Arden Shakespeare: King Henry IV Part 2. Ed. James C. Bulman, Eric Dunnum

 

The Trauma of Playgoing: Phenomenal Confusion in the Early Modern Playhouse, Eric Dunnum

 

The Unruly Playgoer in Early Modern English Drama, Eric Dunnum

 

Buffy the Vampire Slayer 7.22 ‘Chosen’, Elizabeth L. Rambo

 

Third-Culture Kid Identity Paradigms in Buffy 7.17 ‘Lies My Parents Told Me’, Elizabeth L. Rambo

 

‘Cryin’ Like a Woman ‘Cause I’m Mad Like A Man’: Chrissie Hynde, Gen­der, and Roman­tic Irony, Sherry R. Truffin

Submissions from 2017 2017

 

Time and Punishment: Resisting the Modern in Middleton, Rowley and Massinger’s The Old Law, Eric Dunnum

 

How Not to Succeed in Offering a Multidisciplinary Minor in Medieval Studies, Collaborative Teaching and the Lone Medievalist (Panelist), Elizabeth L. Rambo

 

Is BBC’s Class the New Buffy?, Elizabeth L. Rambo

 

Teaching Buffy as Complex TV Text, Elizabeth L. Rambo

 

Democ­racy, Edu­ca­tion, and Inse­cu­rity in Amer­i­can Gothic from Edgar Allan Poe to Donna Tartt, Sherry R. Truffin

Submissions from 2016 2016

 

Anti-theatrical Apprentices: Riots, Theater Closures and the Dramaturgy of Self-Preservation, Eric Dunnum

 

Shakespeare’s Curse: The Aporias of Ritual Exclusion in Early Modern Royal Drama, Eric Dunnum

 

The Dramatized Failure of Rhetoric in Early Modern Inset Drama, Eric Dunnum

 

Teaching the Whedonverses, Elizabeth L. Rambo

 

Third-Culture Kid Identity Paradigms in Buffy 7.17 'Lies My Parents Told Me', Elizabeth L. Rambo

 

‘Cryin’ Like A Woman ‘Cause I’m Mad Like a Man’: Chrissie Hynde, Gen­der, and Roman­tic Irony, Sherry R. Truffin

 

Joyce Carol Oates Revis­its the School­house Gothic, Sherry R. Truffin

 

New Orleans as Gothic Cap­i­tal, Sherry R. Truffin

Submissions from 2015 2015

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Dauphine Was Right: Masques, the Authenticity of (Un)Performed Identity and the Two Prologues of Epicene, Eric Dunnum

 

Riotous Crowds or Paying Costumers?: The Effect of Playgoers’ Unruly Activities on the Politics and Economics of the Renaissance Playhouse, Eric Dunnum

 

A Princess who 'Can milk a goat and cut peat for the fire' : The Dark Age 'Renaissance' of CW's Reign, Elizabeth L. Rambo

 

New Orleans as Gothic Cap­i­tal, Sherry R. Truffin

 

Review of Stephen King’s Con­tem­po­rary Clas­sics: Reflec­tions on the Mod­ern Mas­ter of Hor­ror, Eds. Simp­son and McAleer, Sherry R. Truffin

Submissions from 2014 2014

 

Casual/Causal Metalepsis: Queering Animal Cruelty in Renaissance Drama, Eric Dunnum

 

Heavy is the Hand that Tweets: Hashtag Activism, the Richard II-Essex Affair and Badiou's Theories of Historical Change, Eric Dunnum

 

Looking into Providences: Designs and Trials in Paradise Lost. Raymond B Waddington, Eric Dunnum

 

Thomas Middleton: The Collected Works and Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works. Ed. Gary Taylor and John Lavagnino, Eric Dunnum

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Banter, Battles, Betrayal, and 'Kissy th' Face!': Sugarshock!'s Playful Whedonverse, Elizabeth L. Rambo

 

'Love's a Funny Thing' : The 'Divine Comedy' of Buffy the Vampire Slayer, Elizabeth L. Rambo

 

Metaphoric Unity and Ending: Sending and Receiving Firefly's Last 'Message', Elizabeth L. Rambo

 

Teaching Rape: Approaches to Difficult Moments in the Medieval Literature Classroom, Elizabeth L. Rambo

 

Joyce Carol Oates Revis­its the School­house Gothic, Sherry R. Truffin

 

Style, Genre, Gram­mar, and Sub­jec­tiv­ity in the Fic­tion of Lydia Davis, Sherry R. Truffin

Submissions from 2013 2013

 

Family in King Hereafter, Elizabeth L. Rambo

 

"Go, Litel Bok, Go": Pop Culture Plays with Chaucer, Elizabeth L. Rambo

 

Lost and Found in the Woods: Place and Self-Knowledge in Arthurian Literature, Elizabeth L. Rambo

 

Cre­ation Anx­i­ety in Gothic Metafic­tion: The Dark Half and Lunar Park, Sherry R. Truffin

 

‘Gigan­tic Para­dox, Too … Mon­strous for Solu­tion’: Night­mar­ish Democ­racy and the School­house Gothic in ‘William Wil­son’ and The Secret His­tory, Sherry R. Truffin

 

The Nature of Author­ship: Cre­ation Anx­i­ety in Gothic Metafic­tion, Sherry R. Truffin

 

Zom­bies in the Class­room: Edu­ca­tion as Con­sump­tion in Two Nov­els by Joyce Carol Oates, Sherry R. Truffin

Submissions from 2012 2012

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'Not to Be Altered': Performance's Efficacy and Audience Reaction in The Roman Actor, Eric Dunnum

 

Banter, Battles, Betrayal, and ‘Kissy th’ Face’: Sugarshock!’s Quintessential Whedonverse, Elizabeth L. Rambo

 

Dis­turb­ing Generic Bor­ders: Gram­mar and Sub­jec­tiv­ity in Lydia Davis, Sherry R. Truffin

Submissions from 2011 2011

 

The Political (Dis)engagement of Early Modern Drama: Renaissance Playwright as Literary Theorist, Eric Dunnum

 

The Trauma of Viewing and Early Modern Playgoing, Eric Dunnum

 

"Whatcha Got Cookin’?": Arthurian Stew in Camelot on Starz, Elizabeth L. Rambo

 

A Land of Milk and Gold: Roman­tic Anti-Cap­i­tal­ist Sub­jec­tiv­ity in Toni Morrison’s Song of Solomon, Sherry R. Truffin

 

Love and Vio­lence, Love and Peace: Com­pet­ing Visions in Flan­nery O’Connor and Toni Mor­ri­son, Sherry R. Truffin

Submissions from 2010 2010

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The Father’s Power Function: The Bipartite System of Laws in Paradise Lost, Eric Dunnum

 

The Unwilling Suspension of Disbelief: Representations of Female Responses to Early Modern Drama, Eric Dunnum

 

The Unwilling Suspension of Disbelief: Representations of Female Responses to Early Modern Drama, Eric Dunnum

 

Teaching Buffy the Vampire Slayer 7.16 ‘Storyteller’ as Metafiction, Elizabeth L. Rambo

 

Assess­ment as an Enlight­en­ment Night­mare, Sherry R. Truffin

 

Grotesque Land­scapes in Flan­nery O’Connor and Toni Mor­ri­son, Sherry R. Truffin

 

Review of Scare Tac­tics: Super­nat­ural Fic­tion by Amer­i­can Women by Jef­frey Andrew Weinstock, Sherry R. Truffin

Submissions from 2009 2009

 

‘under the eaves of night’: Constructed Agency and Male Anxiety in the Duchess of Malfi, Eric Dunnum

 

Buffy Goes Dark: Essays on the Final Two Seasons of Buffy the Vampire Slayer on Television, Lynne Y. Edwards, Elizabeth L. Rambo, and James B. South

 

Yeats's Entropic Gyre and Season Six, Elizabeth L. Rambo

 

I've Got a Little List, or, "You Guys Wanna Team Up and Take Over SunnydaleU?", Elizabeth L. Rambo

 

Medievalist Macbeths: Dorothy Dunnett’s King Hereafter and Nigel Tranter’s Macbeth the King, Elizabeth L. Rambo

 

‘I ain’t tak­ing no test’: The Prophet Vs. The School­teacher in Flan­nery O’Connor’s The Vio­lent Bear It Away, Sherry R. Truffin

 

The Book in the School­house Gothic, Sherry R. Truffin

 

‘This is what passes for free will’: Chuck Palahniuk’s Post­mod­ern Gothic, Sherry R. Truffin

Submissions from 2008 2008

 

The Artistic Logic of Bodies: Swift’s Navigation of the Public and Private Bodies of Women in the 'Scatological Poems', Eric Dunnum

 

'what working words he hath': Speech Acts and the Importance of Audience in Tamburlaine, Richard II and The Duchess of Malfi, Eric Dunnum

 

'Right back to the beginning': Recurring Themes in Buffy the Vampire Slayer, Elizabeth L. Rambo

 

The Myth of the Woman Warrior in Medieval Irish Legend, Elizabeth L. Rambo

 

School­house Gothic: Haunted Hall­ways and Preda­tory Ped­a­gogues in Late Twen­ti­eth-Cen­tury Amer­i­can Lit­er­a­ture and Schol­ar­ship, Sherry R. Truffin

 

‘This is what passes for free will’: Chuck Palahniuk’s Post­mod­ern Gothic, Sherry R. Truffin

Submissions from 2007 2007

 

A Political God: Mechanisms of Power and the Father's Laws in Paradise Lost, Eric Dunnum

 

'No-one knows . . . the real me’: The Importance of Being Dawn, Elizabeth L. Rambo

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Queen C' Goes to Boys' Town: Killing the Angel in Angel's House, Elizabeth L. Rambo

 

TV Sources and Analogues: My So-Called Life and Buffy the Vampire Slayer, Elizabeth L. Rambo

 

Harry Pot­ter as School­house Gothic, Sherry R. Truffin

 

Try­ing To Tell ‘The Truth’: Metafic­tion and His­to­ri­o­graphic Metafic­tion in The X-Files, Sherry R. Truffin

Submissions from 2006 2006

 

Arthurian Endings: 'Morte D'arthur' or Not, and Why, Elizabeth L. Rambo

 

Performing Chaucer, Elizabeth L. Rambo

 

‘Queen C’ in Boys’ Town: Killing the Angel in Angel’s House, Elizabeth L. Rambo

 

The Aesthetics of Culture in Buffy the Vampire Slayer by Matthew Pateman, Elizabeth L. Rambo

 

The Few, the Critical: Teaching HONORS 350: ‘Popular Culture and the Sacred’, Elizabeth L. Rambo

 

‘The mission is what matters’: Third-Culture Kid Paradigms in Buffy 7.17 ‘Lies My Parents Told Me’, Elizabeth L. Rambo

 

‘A Stom­ach Full’: Con­sump­tion, Gen­der, and Vio­lence in Rock and Roll and Con­tem­po­rary Amer­i­can Fic­tion, Sherry R. Truffin

Submissions from 2005 2005

 

“The Every­day Assur­ance of Being Muti­lated”: The Quest for Free­dom in Chuck Palahniuk’s Invis­i­ble Mon­sters, Sherry R. Truffin

 

“Whose Truth?” The X-Files as His­to­ri­o­graphic Metafic­tion, Sherry R. Truffin

Submissions from 2004 2004

 

Anchoress vs. Anchoresses: Medieval Holy Women in Film and Fact, Elizabeth L. Rambo

 

Buffy the Vampire Slayer and the ‘Myth of Redemptive Violence’, Elizabeth L. Rambo

 

I’ve Got a Little List, or, ‘You Guys Wanna Team Up and Take Over SunnydaleU?’, Elizabeth L. Rambo

 

Oral/Aural Malory, Elizabeth L. Rambo

 

‘Scream­ing While School was in Ses­sion’: The Con­struc­tion of Mon­stros­ity in Stephen King’s School­house Gothic, Sherry R. Truffin

 

Teach­ing Vio­lence: Rep­re­sen­ta­tions of School­teach­ers in Alice Walker and Flan­nery O’Connor, Sherry R. Truffin

 

‘Ter­rors of the Night’: Sal­va­tion, Gen­der, and the Gothic in James Baldwin’s Go Tell It On the Moun­tain, Sherry R. Truffin

Submissions from 2003 2003

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Lessons' for Season Seven of Buffy the Vampire Slayer, Elizabeth L. Rambo

Submissions from 2002 2002

 

Yeats’s Entropic Gyre and Season Six of Buffy the Vampire Slayer, Elizabeth L. Rambo

Submissions from 2001 2001

 

Building the Perfect Scotsmen: Dorothy Dunnett’s Gemini in Cyberspace, Elizabeth L. Rambo

 

School­house Gothic: Fou­cauldian Dis­ci­pline in Flan­nery O’Connor’s The Vio­lent Bear It Away, Sherry R. Truffin